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CÓMO CONSTRUIR UN SISTEMA DE SONIDO
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PORTÁTIL
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Lugar pequeño / Espacio para jóvenes / Cafetería
Solo guitarra y voz
Se requieren más entradas de micrófono
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Lugar pequeño / Espacio para jóvenes
Banda completa con capacidad de "escenario silencioso"
PEQUEÑA
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Lugar pequeño / Espacio juvenil
Piso más amplio - configuración permanente de lugar estándar
MEDIANO
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Lugar mediano
escenario silencioso con configuración permanente
Adoración moderna
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Lugar mediano
Escenario silencioso con instalación permanente
Worship moderno
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Lugar mediano
Escenario silencioso con instalación permanente
Cuando solo se necesita hablar
GRANDE
Permítanos diseñar su sistema adecuado uno por uno.
NEXO es un fabricante francés líder en sistemas de altavoces acústicos profesionales y una filial del grupo Yamaha. NEXO ha diseñado soluciones de refuerzo sonoro innovadoras en su sede parisina desde 1979. La tecnología pionera de la compañía, los diseños innovadores y la excelencia sonora han mejorado los eventos en vivo en todo el mundo durante décadas, ganándose el respeto y la confianza de profesionales de todo el mundo.
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ENTRADA
- P. ¿Qué tipo de micrófonos son los más comunes para los sistemas de sonido en iglesias?
- P. Cuénteme sobre su experiencia con los micrófonos inalámbricos
- P. ¿Cuáles son los tipos de cables y conectores más comunes utilizados en sistemas de sonido en iglesias?
- P. Cuénteme sobre su experiencia con las cajas directas
- P. Cuénteme sobre su experiencia con Phantom Power (Alimentación phantom)
Yamaha Offers RiverLife Church, Singapore an Experience with RIVAGE PM10 Digital Audio Mixing System
Located in Pasir Ris, RiverLife Church was established in 1988 as a central gathering point for worshippers residing in the eastern heartland of Singapore. The church was previously known as Bartley Christian Church (Pasir Ris Centre) before being officially renamed as an independent body in the year 2000. Despite its small beginnings, RiverLife Church and its members are committed to reaching out and providing support to various groups of people both locally and overseas. This includes hospital visits, support for expectant mothers and youth opportunities. RiverLife church has close to 3,000 worshippers across services on weekends.
Sound has always been an integral part of the weekly church services. Having a console that provides superior sound and the ability to retain the signal integrity is especially important, as it helps to provide an immersive and distraction-free time for the worshipper to engage during the services. A team comprising of the Manager of Technical & Production, Freddy Ng, Sound Specialist, Jerry Chua and the church’s esteemed committee was specially formed to evaluate the church’s technical requirements and facilitate the selection process for the new consoles. Since the console plays an important role in the entire sound system of the sanctuary, the selection and testing of the different consoles were especially extensive, to ensure that the right device was ultimately chosen for the right job.
The Yamaha RIVAGE PM10 was able to fulfil the requirements of the services competently. Having the technical capabilities to support a full band set up with a dedicated monitoring system for the musicians through the use of the Dante network, with an additional TWINLANe network – an original Yamaha network protocol with redundancy capabilities to support the main system – the RIVAGE PM10 is a great complement to the church’s existing technical infrastructure. The option to use Silk texture, Yamaha’s own hybrid microphone preamplifier developed in collaboration with Rupert Neve Designs, has provided new possibilities for users to enhance any musical repertoire in the mix. Sound Specialist Jerry Chua was particularly impressed with the RIVAGE PM10’s ability to process eight plug-ins per channel natively, an engineering feat that the Yamaha team has achieved, enabling users to engage different permutations of plug-in combinations for specific applications – something very familiar to engineers in a studio setting.
Having a console that has an intuitive interface was particularly important to the team, as volunteers operate most of the services. With the inclusion of the RIVAGE PM10, the console’s user-friendliness has provided these volunteers with a capable canvas for them to mix artistically without being held back technically. The RIVAGE PM10 has individually controllable banks (3 sections), and it has allowed more than one engineer to simultaneously control different parameters during a service. With the introduction of live multi-track recording, this feature is an important resource in facilitating sound checks and training. Having the ability to simulate a sound check in a live setting was a key factor to improve efficiency, as an engineer does not require band members to be on location when dedicated tuning is required. Training using past recorded shows have helped the overall learning experience to become more holistic as the volunteers can return to any specific part of a particular song in order to practice more easily.
In line with the Yamaha perspective of integrating past and future audio systems as one, the RIVAGE PM10 is highly expandable through the use of its HY and MY slots. These expansion slots vary from digital to analog converters, digital to digital bridging and even digital system processing. For instance, in the case of RiverLife Church, several MY8-ADDA were used to interface the console with the church’s existing outboard gear. The RIVAGE PM10 has greatly expanded an avenue of possibilities for RiverLife Church, and with its highly scalable characteristics, the RIVAGE PM10 will act as a cornerstone of the church sound system for many years to come.
Reported by Lawrence Tan, Assistant General Manager ,PA Division, Yamaha Music (Asia) Private Limited
Location
Pasir Ris, Singapore
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Yamaha Helps St George’s Tame The Dragon Of Poor Sound
A number of the UK’s most well-known cathedrals now feature Yamaha audio systems, where the flexibility of the company’s products is making them a popular choice for the acoustically-challenging environments. The latest is St George’s Cathedral in London, seat of the Roman Catholic Archbishop of Southwark.
The Metropolitan Cathedral Church of St George (to give it its full name) was built in 1848. Badly damaged during the Blitz of 1941, the following decade it was restored and reconsecrated. Its architecture is typical of what many consider ‘a cathedral’ to be - high, vaulted ceilings, numerous pillars, large leaded windows and expanses of smooth stonework, all of which present challenges to effective sound reinforcement.
Appointed in 2015, one of the first jobs for the new Cathedral Dean - Canon Richard Hearn - was to get to know his congregation. Through this he learned of the difficulties people at the back of the cathedral had in hearing services clearly. Thanks to their long experience of quality house of worship AV installations, Cunnings Recording Associates were recommended to Canon Richard as being able to help.
“The cathedral had an ageing sound reinforcement system, but it had never been properly commissioned,” says the company’s Daniel Cunnings. “No delays or EQ had been set up for any of the loudspeakers and there weren’t enough outputs available for the number of speakers. “As well as services the cathedral also hosts a range of other events, so there are microphone points throughout the building. The existing system was not easy to operate, so another intention behind the upgrade was to allow them to use their audio facilities to their fullest extent.”
The cathedral commissioned a two-stage upgrade, the first being to quickly and radically improve the sound quality for the spoken word, but with very straightforward control. This meant replacing the existing audio processors and programming the right amount of EQ and delay for each output. Daniel chose a Yamaha MRX7-D and two MTX3 matrix processors, with a DCP1V4S control panel located discreetly in the cathedral sacristy. “We looked at all available options, but the Yamaha solution was the only one that could provide the range of inputs and outputs we needed. The cathedral wanted the system to be as simple as possible to operate, so the MRX7-D’s onboard Dugan automixing was also essential,” says Daniel.
There are 25 loudspeaker locations throughout the cathedral, including the day chapel and monitors for the choir and organist. The most-regularly used inputs are microphones on the main lectern, the day chapel lectern and above the choir, plus a handful of wireless units. “The system is zoned and can address each loudspeaker individually, if required,” says Daniel. “For now the DCP1V4S provides a basic mute, enable and volume adjustment of each zone. One button is also programmed to recall the system back to its base state. Indeed, a reset button is the most important control for many of our clients!”
The next stage of the project will, as Daniel says, “take the project up a gear”. New speakers and amplifiers will further improve the sound, while Yamaha’s multipurpose MCP1 control panel and the ProVisionaire Touch and Wireless DCP apps will be added, allowing comprehensive control of the system. This will also eliminate the need for an analogue mixing console, which had to be brought in for music events and recitals. “The second stage will happen at the beginning of 2018 but, for now, Canon Richard is very happy that the whole congregation can hear services clearly,” says Daniel. “We have been pleased to help take St George’s into a new era and are looking forward to really making the most of the power of the Yamaha system in stage two of the project.”
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Two Yamaha RIVAGE PM10s Deliver Crystal Clear Christian Message
Each year the GelreDome - home of Dutch football club Vitesse Arnhem - is transformed into a huge centre of Christian worship by the EO-Jongerendag (Evangelical Broadcasting Youth Day) event. With 25,000 young people enjoying a range of Christian music and sermons in a huge ‘in the round’ production, two Yamaha RIVAGE PM10 digital mixing systems ensured that the message was clearly heard.
Thanks to its retractable roof, retractable pitch and climate control system, GelreDome is readily transformed from a 35,000-capacity football stadium into a 41,000-capacity venue for live music and other events. It has hosted concerts by many of the world’s biggest performers, ranging from Madonna, Coldplay and Lady Gaga to Iron Maiden, AC/DC and Bon Jovi.
On 10th June, the 43rd annual EO-Jongerendag hosted a number of high profile Christian acts, including Lindz West, Capital Kings and Philippa Hanna, with the Beam Worship Band providing further music between the main performances and various speeches and sermons. The stage was situated in the middle of the stadium, a huge in-the-round technical production supplied by multi-disciplinary service provider Chain, a sister company of pan-European technical production business Rent-All.
Chain’s audio technical production manager for the event was Ton Damen, who specified three Yamaha digital mixers. A pair of RIVAGE PM10 systems took care of the Front of House mixes - one mixing the sound for the main artists, the other for the speeches and the Beam Worship Band. In addition, a QL5 was located under the stage to manage all communication channels for the event between the lighting, sound, video and broadcast staff.
Although the event had been partially rehearsed and all acts had a pre-show soundcheck, there was still a lot of pressure on the technical teams to keep the show running smoothly, with the musical acts being changed over via rolling risers and a stage lift system while speeches and sermons were taking place. Thanks to the flexibility and power of the RIVAGE PM10 system, every part of the stadium audience enjoyed a crystal clear Christian message throughout a day of joyful worship.
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Oregon Church Breathes New 'Life' Into Sanctuary Sound
BUENA PARK, Calif. (February 18, 2019) ― Alpha Sound of Salem, Oregon recently installed a NEXO M6 line array and Yamaha QL5 Digital Audio Console into the Valley Life Center located in Dallas, Oregon. "The 400-seat, intergenerational congregation sanctuary previously had a mono center cluster of horns enclosed in a fabric cloud and a simple analog console with a few wedges for monitors," states Devin Sheets, head engineer at Alpha Sound.
"We have had so much success as a company with the Yamaha and NEXO brand, most of our sales have come not from any fancy talking or trendy marketing, we simply bring prospective clients into spaces where we have installed these systems or let them hear demos in their own spaces," states Duane Sheets, President of Alpha Sound. "We have a pretty unique way that we like to tune and calibrate the Yamaha and NEXO systems for house-of-worship applications, and the sound of it sells itself."
Head engineer Sheets said that the sonic demands of modern worship styles and the need for consistent and ergonomic functionality drove the decision for the Valley Life Center to purchase the Yamaha and NEXO systems. "The very first Sunday on the new Yamaha QL5, with no previous rehearsal, we had 32 inputs and 15 monitor channels (12 IEMs via the Monitor Mix App) up and running within satisfaction in under an hour." People of all ages and technical skill levels can easily download the Yamaha simple and intuitive Monitor Mix App on their phones, and within minutes receive the exact monitor mix that they need to hear. "For Valley Life Center, he continues, "this freed up the personnel at front of house to concentrate entirely on the house mix." A Yamaha Tio digital I/O stage box was also installed.
"The ability to digitally save Alpha Sound's settings on the mixer and start from that week to week is wonderful," states Roger Shinn, Tech Director at the church. "Also, having everyone on stage both young and old adjusting their own monitor mixes through their phones has been a major relief. After all, who doesn't like their own mix? We hardly get any complaints now! And the system sounds beautiful and makes mixing very easy and enjoyable. I especially appreciate Alpha's team investing so much time with us doing one-on-one training until we could fly on our own; that was invaluable."
"The NEXO M6 line arrays cover the 180-degree room perfectly with added localization from ultra low profile outfills. Along with the subwoofers, the speaker system naturally delivers a "modern" sound that is fitting for contemporary worship styles. "The new system will serve this church community very well for decades to come," added the elder Sheets.
The M6 line array configuration consists of six per side, one per side of NEXO LS18 subwoofer, one per side NEXO ID24 speakers used for outfills, and two NEXO NX4x1 Mk2 amplifiers. "The clarity and detail of this new system is absolutely incredible," states Chris Barker, Head Pastor. "Many people can hear the instruments and voices for the first time, and the younger crowd really loves the new depth of sound. Because it all sounds so smooth, we really aren't getting complaints about the volume even though it is actually a lot louder than ever before. It all just sounds amazing!"
The Alpha Sound team said they really enjoy working with churches. "Suddenly transitioning to a system that is a good half-century more advanced can be really difficult, especially for multi generational congregations," noted the younger Sheets. "The NEXO and Yamaha product lines make this transition not only painless but exciting for everyone. It is really great seeing worship team members who are sometimes also a good half-century apart in age getting along so well with the new technology and many benefits."
For more information on Alpha Sound, visit www.alphasound.org.
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Yamaha RIVAGE Brings The Word To RCCG Workers Rally
Twice a year, the UK branch of the Redeemed Christian Church of God (RCCG) holds its Workers Rally, which usually precedes the popular Festival of Life. In October, the latest Workers Rally brought a 10,000-strong audience to London’s ExCel, where a Yamaha RIVAGE PM7 and PM10 digital system mixed a diverse evening of worship, Christian drama, bible study, prayer and holy communion.
The Workers Rally is held under the leadership of the global RCCG general overseer, Pastor Enoch Adeboye. Sound and lighting for the event was taken care of by multinational production company Hephzibah Productions, which hired the RIVAGE PM7 and PM10 mixers from London-based Subfrantic.
“We have had a relationship with Subfrantic for over eight years,” says Hephzibah engineer Temidayo Oladehin, who was the event’s production manager and manned the RIVAGE PM10 at the front of house position. “I met Subfrantic managing director Steve Davies through my local church and he has been extremely supportive ever since.”
The system ran 48 channels at both the FoH PM10 and the PM7 on monitors, mixed by Duriel Mensah. Both Temidayo and Duriel were mixing on a RIVAGE system for the first time and they were clearly impressed.
“What really stood out for me were the Rupert Neve Designs plugins,” says Temidayo. “Using them on bus output groups produced fantastic results. The clarity you get by adding a little SILK blue on the vocals is mind blowing!
“The Dan Dugan auto mixer was a very useful tool for the drama section of the evening, while the eight-band parametric EQ was great on the omnidirectional headset mics. Being able to shape them without losing quality was a great plus for me.”

In monitor world, Duriel was particularly impressed with the speed and ease of use of the RIVAGE PM7, as well as the high bus count. “As a monitor engineer speed is important, so being able to quickly send to my monitor mixes definitely helped in being able to deliver on the day,” he says.
“During the drama set, there was playback from a laptop, a series of loops being triggered from a sampling pad and seven live headworn microphones. I had to ensure that the singers could hear the soundtrack as well as the microphones, so they could pick up cues on when to come in. The ease with which I could access my sends for monitor mixes helped me to send what was required very quickly and efficiently.
“Another advantage was having 60 buses because, after sending monitor mixes, there was still the room to do so much more, which isn’t always possible with all mixers,” he says.

As many live engineers have found, the Rupert Neve Designs 5045 Primary Source Enhancer is one of the many plugins available on RIVAGE systems that makes a huge difference to the mix quality.
“The Primary Source Enhancer is an amazing piece of work that can help clean up your audio really well. I tried it on a guitar and it got rid of so much bleed. I was very impressed by what it can do,” says Duriel.
“Even the small user touches make a big difference. The horseshoe ring shape of the rotary encoders means you can see where you’ve set any encoder from every angle. I can instantly see where I am and it helps to save time, which is always important.”

Temidayo and Duriel were supported by Steve as console tech and system techs Matt Wickens, Ant Mairoudi and Sam Chappell-Winnington. They helped to deliver a successful evening of worship, which set the scene for the following day’s Festival of Life.
“We had a very positive response from the organisers. They told us that it was actually the best sound they’ve had since they started this event,” says Temidayo.
Steve agrees, adding “As a multi-faceted event, with diverse speech, live music and playback, it was a potentially complex audio production which placed significant demands on the production team. The Yamaha RIVAGE system made a big difference in both the ease of production and audio quality, which were noticed by the crew, audience and client alike.”
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RiverLife Church Singapore - Nexo Geo M10 Installation
RiverLife Church Singapore was established in 1991 as a central gathering point to worshippers residing in eastern Singapore. The church was previously known as Bartley Christian Church (Pasir Ris Centre) before being officially renamed as an independent body in 2000. Despite its small beginnings, RiverLife Church and its followers are dedicated to providing support to various special need communities locally and overseas. Currently, RiverLife Church serves about 3000 devoted worshippers weekly across 11 full services over the weekends.
Situated at level 3 of the premise, the RiverLife Church Worship Centre is a significant worship venue where it houses around 1200 audiences during a service. The services would comprise of speeches, videos and also a full live band; hence RiverLife requires its speakers' system to have high fidelity to represent each service elements indeed competently. With its recent upgrade of the sound mixing console to the Yamaha RIVAGE PM10, a state of the art sound console that provides Rupert Neve preamplifiers to its user, the installation of a new speaker system was a timely upgrade for the church.
In this installation project, the design objective of the system was to provide even coverage for the audience space with a focus on the front of house mixing position. This hybrid approach ensures that the sonic performance of the speaker sound will be consistent throughout the space as well as having an optimize hotspot at the front house position to allow the engineers to feel and work with the system effortlessly. Regarding hardware, the system will include a pair of Nexo Geo M10 Line Array, 4 Nexo LS18 subwoofer and 2 Nexo ID24 speakers as front field. These selections of speakers will be able to yield about 102dB of Sound Pressure Level (SPL) at the hotspot with a linear decay of 1.2dB per meter using the Nexo NS-1 System Configuration Software.
As compared to the previous system where multiple delay cabinets were require to ensure that the audiences are getting sufficient intelligibility and SPL, the Nexo Geo M10 system does not require any delay units due to its efficient design in propagating sound through space. For the array cluster in this project, 7 units of Nexo Geo M1012 (12-degree vertical dispersion) and 1 unit of Nexo Geo M1025 (25-degree vertical dispersion) were used. The 12-degree vertical dispersion units were responsible in delivering sound till the back of house, covering about 6 meters per cabinets and the 25-degree vertical dispersion cabinet was used to manage the downfield application as it has a wider vertical dispersion.
Understanding the needs of the end user is fundamentally important, and it also plays a critical role in the design of the speaker system. As sound characteristic of speaker systems can be subjective at times, quantitative pre and post measurements were executed to ensure that the requirements from the users were answered and there was practical improvement from the previous system. One of the topics was the low-frequency performance from the system as the end user has expressed their liking towards a system that has more “warmth” and prominent sounding bass. Alignment and contouring were done to help fulfill this aspect and through the comparison between measurements, there is a 40% improvement of low-frequency performance concerning bass ratio.
Furthermore, to ensure that the system is balanced and does not overly emphasize the low frequencies, additional comparison measurements were performed. For instance, the comparison of the Early to Late Energy Ratio was made to ensure that the clarity aspect of the system is taken of. Evaluated results show that in the application of speech and music, the Nexo Geo M10 system is able to provide an additional 3dB loudness of clarity as compared to the previous system. This would allow the users to mix at 3dB softer to achieve the same level of clarity from the past system. The newly installed Nexo Geo M10 system has provided pragmatic results to its user where the sonic applications in a house of worship scenarios are answered. With the complement of the Yamaha RIVAGE PM10 mixing console, RiverLife Church Singapore has expanded its audio arsenal holistically to ensure that every aspect of audio, from input signals to output delivery are all taken care of.
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Location
Pasir Ris, Singapore
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